SACRIMA Digital Atlas

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  • Frontispiece of: Gilio, Giovanni Andrea, Due dialogi (1564), Camerino : Antonio Giojoso

    Questions on the Holy Trinity

    Vatican City, Vatican Palace ; Fabriano, Convent of St. Luca


    This segment discusses questions on the Holy Trinity based on the case study of Michelangelo’s fresco in the Sistine Chapel, the “Creation of the World”.

    Conflict
    Judging art Monstrosity/Unacceptable configuration Not corresponding to Scriptures Untruthfulness/Not probable/Not corresponding to history
    Mention
    Fabriano, 1564
    Subject
    God the Father ; Holy Spirit ; Jesus ; Trinity
  • Frostispiece of Molanus, De historia sanctarum imaginum et picturarum (1617), Antwerp, Gasparus Bellerus

    Images of the Trinity in the bosom of the Virgin Mary are devoid of beauty and religion



    Molanus criticises a particular type of statue of the Virgin Mary that could be opened up and held an image of the Trinity in this inner compartment. According to him, this creates a wrong illusion about the relationship between Virgin Mary and the Trinity.

    Conflict
    Monstrosity/Unacceptable configuration Not corresponding to Scriptures Not corresponding with Church teaching/dogma
    Mention
    Leuven, 1617
    Subject
    Trinity ; Virgin Mary
  • Images of the Trinity as a man with three heads or with three faces is a diabolical invention



    Molanus condemns a rather widespread way of depicting the Holy Trinity, namely their representation as one man with three heads or one head with three faces, which would be a monster of nature and a diabolical invention.

    Conflict
    Diabolical image Monstrosity/Unacceptable configuration Not corresponding to Scriptures
    Mention
    Leuven, 1617
    Subject
    Trinity
  • Painting of the Trinity described in the letter of the Suprema to the Inquisition

    Valencia


    Letter of the Suprema to the Inquisitiors of the town of Valencia describing some canvases that allegedly entered the kingdom and recommending that they be collected so that they do not continue to circulate.

    Conflict
    Lutheran
    Mention
    Valencia, 3. October 1571
    Subject
    Trinity
  • Painting of the Trinity described in an edict of the Inquisition of Mexico

    Mexico City


    Edict of the Holy Office of Mexico describing some cavases that allegedly entered the kingdom and recommending that they be collected so that they do not continue to circulate. he Inquisition express the fear that the images convey Lutheran errors

    Conflict
    Mention
    Mexico City, 28 April 1574
    Subject
    Death ; Devil ; Sin ; Trinity