SACRIMA Digital Atlas

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  • Frontispiece of: Gilio, Giovanni Andrea, Due dialogi (1564), Camerino : Antonio Giojoso

    On the appropriate opportunities for painters to show their skills



    Having previously criticised the graceful representation of the body of Christ in the Passion, the participants in the dialogue now offer the artist options in which he can demonstrate his skill, according to the iconography he is trying to represent.

    Conflict
    Blood Capriccio Decorum Representation of bodies
    Mention
    Fabriano, 1564
    Subject
    Adoration of the Magi ; Ascension ; Baptism ; Circumcision ; Crucifixion ; Deposition ; Ecce Homo ; Entombment ; Flagellation ; Last Judgement ; Mysteries of the Nativity ; Resurrection ; Transfiguration

  • On the representation of emotions

    Vatican City, Vatican Palace Rome, San Pietro in Montorio

    ,

    1516/20; ca. 1542-1545


    In this section of the text, the participants talk about the polymorphic representation of emotions.

    Conflict
    Judging art
    Mention
    Fabriano, 1564
    Subject
    Conversion of St. Paul ; Emotions ; Transfiguration