Having previously criticised the graceful representation of the body of Christ in the Passion, the participants in the dialogue now offer the artist options in which he can demonstrate his skill, according to the iconography he is trying to represent.

Molanus defies the depiction of the Holy Mary and St.John the Baptist praying at the feet of Christ at the Final Judgement, since it is based on the false assumption of mediating for the dead.

The subject of the passage is the question of the nudity of the figures, especially the saints, Christ and the souls. The foundation of criticism is again that the performing artist, Michelangelo, preferred to display his virtuosity instead of conforming to decorum.

In this part of the dialogue, the focus of criticism is particularly on the composition of figures.

In this passage, the characters again address the movement of figures, this time devoting themselves to the saints in the “Last Judgement”.

Although the characters have already spoken several times about Michelangelo’s “Last Judgement”, the main criticism now follows.

In this part of the critique of Michelangelo’s “Last Judgement”, the figures focus on the depiction of the symbols of redemption and the angels calling to the Last Judgement with their trumpets.

In this part of the passage, the characters once again focus on the representation of age, this time in the “Last Judgement”.

The subject of criticism in this passage is the representation of the resurrected souls.

In this part of the dialogue, the participants address the necessity of martyr instruments.

In this part of the dialogue, the characters once again talk about the freedom of painting.

In this part of the dialogue, the participants discuss which is the right emotion in the portrayal of Mary in the “Last Judgement”.

In this section of the dialogue, the participants come to talk about the already criticised depiction of the resurrected blessed souls being pulled towards heaven by the angels.

In this section of the dialogue, the participants discuss the depiction of the battle between the angels and demons over the blessed and damned souls in the “Last Judgement”.

The point of criticism in the following passage is the mixing of the blessed and damned souls in Michelangelo’s “Last Judgement”.

The subject of this passage is the participants’ discussion about the presentation of the books of life. M. Ruggiero is of the opinion that they should not be presented haptically.

In this section of the dialogue, the participants focus on Michelangelo’s depiction of Christ in the “Last Judgement”.