SACRIMA Digital Atlas

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  • The freedom of the brush



    After the participants have divided painting into the three categories, they devote themselves to the freedom of the poetic painting.

    Conflict
    Capriccio Decorum License Monstrosity/Unacceptable configuration
    Mention
    Fabriano, 1564
    Subject
    Decoration ; decorum of poetry ; Grotesque ; poetic painting
  • The distinctive allure of nature

    Rome, Villa Farnesina; Vatican City, Vatican Palace;

    ,

    1517-19


    After a brief introduction to guide the reader into the narrative, the actual treatise begins. In the passage, the sublimity of nature in relation to contemporary art is addressed.

    Conflict
    Contemporary vs. ancient artist Judging art
    Mention
    Fabriano, 1564
    Subject
    Decoration ; painting of nature
  • Frontispiece of: Gilio, Giovanni Andrea, Due dialogi (1564), Camerino : Antonio Giojoso

    The fabulous fictions

    Vatican City, Vatican Palace;

    ,

    ca. 1517-19


    In this passage, the freedom of poetic painting (poetic licence) is restricted.

    Conflict
    Capriccio Decorum Ignorance/Negligence of the artist Judging art Monstrosity/Unacceptable configuration
    Mention
    Fabriano, 1564
    Subject
    Decoration ; decorum of poetry ; Grotesque ; Isaiah 11:6-8 ; poetic painting