SACRIMA Digital Atlas

Conflict
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  • Frontispiece of: Gilio, Giovanni Andrea, Due dialogi (1564), Camerino : Antonio Giojoso

    “And now, because (painting) finds itself full of errors and abuses […]”



    At the beginning of his treatise, Giovanni Andrea Gilio addresses his initial motives for dedicating himself to the subject of artists’ mistreatment of art.

    Conflict
    Ignorance/Negligence of the artist License
    Mention
    Fabriano, 1564
    Subject
    historic painter ; poetic painter ; Religious painter