SACRIMA Digital Atlas

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  • The composition (movements) of the figures

    Vatican City, Vatican Palace

    ,

    1535-1541


    In this part of the dialogue, the focus of criticism is particularly on the composition of figures.

    Conflict
    Capriccio Decorum Representation of bodies
    Mention
    Fabriano, 1564
    Subject
    Angels ; Last Judgement ; Movement of the Figures ; Mysteries
  • Frontispiece of: Gilio, Giovanni Andrea, Due dialogi (1564), Camerino : Antonio Giojoso

    “art imitates nature, not nature art” – About the suitable movements of figures

    Vatican City, Vatican Palace

    ,

    1535-1541


    In this passage, the characters continue their discussion about the appropriate movement of the figures.

    Conflict
    Capriccio Representation of bodies
    Mention
    Fabriano, 1564
    Subject
    Movement of the Figures ; St Blaise ; St. Andrew ; St. Bartholomew ; St. John the Baptist
  • The Last Judgement – “What shall I do?” on the Representation of the Saints

    Vatican City, Vatican Palace

    ,

    1535-1541


    In this passage, the characters again address the movement of figures, this time devoting themselves to the saints in the “Last Judgement”.

    Conflict
    Capriccio Issues with attributes Judging art Untruthfulness/Not probable/Not corresponding to history
    Mention
    Fabriano, 1564
    Subject
    Last Judgement ; Movement of the Figures ; Representation of the martyrdoms with attributes ; St Blaise ; St. Andrew ; St. Bartholomew ; St. Catherine ; St. Simon