SACRIMA Digital Atlas

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  • More is more – On the depiction of the Passion Wounds

    Rome, San Pietro in Montorio

    ,

    1516 -1524


    In this part of the dialogue, M. Troilo and M. Pulidoro criticise the abuse of contemporary art in the mild representation of the Passion (wounds) in favour of artistic ambition.

    Conflict
    Capriccio Decorum Judging art Representation of bodies Untruthfulness/Not probable/Not corresponding to history
    Mention
    Fabriano, 1564
    Subject
    Flagellation of Christ ; Passion