Type of publication: Journal Article
Cloe Cavero de Carondelet, “The Virgin Embracing the Virgin: Eugenio Cajés’ Short-Lived Iconography of Our Lady del Sagrario in Counter-Reformation Toledo”, Bulletin of Spanish Studies 96, 2019.
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With the financial support of the Fritz Thyssen Foundation, the SACRIMA team and workshop participants engaged with questions regarding the intermediary function of early modern print culture in new compositions and contexts.
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Cloe Cavero participated in the workshop Ut Pictura Poesis I: Art et littérature dans la Monarchie hispanique au Siècle d’Or, celebrated at the Collège d’Espagne in Paris.
Chiara Franceschini and Cloe Cavero participated in the VI Seminario de Arte y Cultura en la Corte, which took place in Madrid at the Casa de México, El Escorial and the Universidad Autónoma de Madrid.
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Cloe Cavero spent a month at Harvard University as visiting researcher.
Deadline: April 1
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Erin Giffin will present her ongoing research of Santa Casa devotion around the Adriatic in her presentation “The Ark of Loreto: Loretan Devotion throughout the Adriatic”
In the last week of February, Cloe Cavero travelled to Madrid to present two papers related with her current research project, firstly at the Coloquios Investigadores of the Department of Art History, Universidad Autónoma de Madrid (UAM), and following at the Universidad Nacional de Educación a Distancia (UNED), in the framework of the Research Group Before Orientalism: Images of the Muslim in Iberia (15th-17th centuries) and their Mediterranean Connections.
Between February 11-20, Erin Giffin visited the libraries of Zagreb and travelled down the coast from Trsat to Primosten to visit and compare Adriatic replicas of the Santa Casa di Loreto.
Nelleke de Vries, M.A.
In her project “Migrating Motifs”, Nelleke de Vries investigates the migration and exchange of Christian iconographical motifs between the regions north and south of the Alps during the period 1450-1550.
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Type of publication: Journal Article
Erin Giffin, “Détruire, reconstruire, redéfinir: la fragmentation volontaire de la Santa Casa de Loreto et ses altérations répliquées,” Perspective : actualité en histoire de l’art, themed publication: Détruire. Vol. 2018-2 (2018), p. 209-217.
In January 2019, the SACRIMA team and students from the fall seminar travelled to a special exhibition at the Castello Sforzesco in Milan.
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