Between 18-22 November 2019, the SACRIMA Team participated in the second installment of the DAAD-Waseda seminar at Waseda University, Tokyo.
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18-22 November 2019DAAD-Waseda Seminar II
Activities
28 - 31 October 2019DAAD-Waseda Seminar I
In the last week of October 2019, Professor Yoshie Kojima of Waseda University, Tokyo, came to LMU with a group of Waseda researchers to participate in the first installment of the DAAD-Waseda sponsored Seminar “Early Modern Sacred Images in Japan and Europe: Contact, Comparison, Conflict.”
Copias de imágenes sagradas romanas en Granada: Algunas notas sobre las Vírgenes del Popolo y los retratos de san Pedro y san Pablo
Early Modern Sacred Images in Japan and Europe: Contact, Comparison, Conflict
Centered on sacred images traversing cultures, this DAAD and Waseda sponsored research project investigates the active role of objects and images as agents of religious encounter and conflict between early modern Europe and Japan.
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Volti santi e Trinità triformi: Ricerche in corso sullo statuto delle immagini nei procedimenti del Sant’Uffizio
In this contribution, Chiara Franceschini presents some of the newly discovered cases of images contested by the Roman Inquisition.
27-28 September 2019Thinking 3D: Architecture and Audience
Over 27-28 September, Erin Giffin presents her ongoing research with a poster at the Thinking 3D: Architecture and Audience conference at Worcester College of Oxford, England, headed by Dr. Katie Jacobiec, as part of the Thinking 3D initiative organized by Dr. Laura Moretti and Daryl Green.
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4 - 14 August 2019Rijksmuseum/RKD Summer School
Nelleke de Vries participated in the Summer School: Northern Renaissance Art, a joint organization between the Rijksmuseum and the RKD–Netherlands Institute for Art History.
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Cloe Cavero ahonda en una peculiar iconografía de la Virgen del SagrarioLa Tribuna de Toledo16 August 2019
Le Livre de la Vigne: Images of Hell in 15th-century France
In this essay, Chiara Franceschini discusses the extremely imaginative series of miniatures of hell and the Last Things as well as the complex relations between text and image in the Livre de la Vigne, Ms. Douce 134 from the Bodleian Library (1460 circa).
The Virgin Embracing the Virgin: Eugenio Cajés’ Short-Lived Iconography of Our Lady del Sagrario in Counter-Reformation Toledo
In this article, Cloe Cavero de Carondelet examines the rare scene represented in a little-known drawing by the royal painter Eugenio Cajés.
28-29 June 2019Workshop: Message, Messenger, or False Friend? Early Modern Print as Intermediary
With the financial support of the Fritz Thyssen Foundation, the SACRIMA team and workshop participants engaged with questions regarding the intermediary function of early modern print culture in new compositions and contexts.
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